Reviews Katarina Andreasson

” Andreasson tackled the furiously virtuosic solo part with sparkling abandon, from the flowing strings of sixths in the admittedly beautiful opening theme to the frantic broken chords of the first-movement cadenza. She proved herself adept in the highest reaches of the instrument in the schmaltzy Adagio, while in the tripping enthusiasm of the third movement-undoubtedly the most successful for its sense of momentum-her command of the quadruple-stops and lightning passage-work was spellbinding ” .

The Strad, London, Dec 1997


” … all at the same time safe as passionate leadership of Katarina Andreasson, conductor and solo violinist ” .

Smålandsposten, Musica Vitae, Jan 2017

“Katarina Andreasson’s rare musical talent allows her to perform and conduct successfully as a brilliant violinist , violist and conductor. Profoundness and expressiveness characterize the play of Katarina Andreasson in the chamber music ensemble. For me, our performances as a string trio are always particularly valuable, with us, together with Olga Lubotsky, working on the interpretations of masterpieces by Mozart, Boccherini, Beethoven and Schnittke.”

Mark Lubotsky 2018