Reviews Katarina Andreasson
” Andreasson tackled the furiously virtuosic solo part with sparkling abandon, from the flowing strings of sixths in the admittedly beautiful opening theme to the frantic broken chords of the first-movement cadenza. She proved herself adept in the highest reaches of the instrument in the schmaltzy Adagio, while in the tripping enthusiasm of the third movement-undoubtedly the most successful for its sense of momentum-her command of the quadruple-stops and lightning passage-work was spellbinding ” .
The Strad, London, Dec 1997
” … all at the same time safe as passionate leadership of Katarina Andreasson, conductor and solo violinist ” .
Smålandsposten, Musica Vitae, Jan 2017